8 thoughts on “ Rosalie - Erroll Garner - The Erroll Garner Collection - 20 Golden Greats (Vinyl, LP) ”

  1. ERROLL GARNER Vinyl Records and CDs: Put on an Errol Garner record and you can't help but get "Misty." The emotional world his music inhabited was the perfect mix of elation and sadness. Garner was one the finest jazz musicians to ever find enormous and long-lasting public success. His Swing-meets-Bop style is immediately recognizable.
  2. Jan 09,  · Erroll Louis Garner (June 15, – January 2, ; some sources say ) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the.
  3. out of 5 stars garner the greatest Reviewed in the United States on July 6, i have followed errol garner from way back in the 50'menddentrenarecrememulesenmasa.coinfo has a great command of the piano and his music goes on forever. i only wish that i could locate the song dreamy that he wrote.5/5(7).
  4. Erroll Louis Garner (June 15, – January 2, ) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz menddentrenarecrememulesenmasa.coinfo Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso." He received a star on the Hollywood Walk of Fame at Hollywood Blvd.
  5. Complete song listing of Erroll Garner on menddentrenarecrememulesenmasa.coinfo COVID Because of processes designed to ensure the safety of our employees, you may experience a delay in the shipping of your order.
  6. After his contract with Mercury was up, Garner brought his Octave label to London Records. While a lot of other players in his generation were moving to the Fender Rhodes and nudging toward commercial R&B or fusion, Garner continued to play acoustic piano in his singular and classic way. Magician is an album that deftly mixes originals with more standard fare.
  7. Erroll Garner was one of the all-time Olympian greats of jazz piano, at once time capable of supporting a record label singlehandedly--while himself being supported by the thick New York phonebook to which he attributed the leverage and power he exerted over his instrument--a mastery so complete that, without the benefit of extra musicians or digital technology, he practically replicated the /5(37).

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